Honoring Mother, the Original RoadBroad

From Austin to Abilene, Salisbury to San Francisco, she taught me how to be a RoadBroad.

Indulge me, please, as I pay tribute on this Mother’s Day to mine: Glenna Lea Couch Miller.

From a childhood spent in an orphanage to a widowhood making up for lost time, my mother lived adventure and attitude.

It began with her 1927 birth in a “teacherage”—that’s government-provided housing for schoolteachers—in Vernon, Texas. Here, Allie Couch holds up her surprise, born as the “but-doctor-I know-I’m-in-menopause” baby

From Vernon, my mother moved into a Corsicana orphanage. There, her father served as superintendent for much of Glenna Lea’s childhood.

Imagine sharing all your birthday and holiday presents with 250 Depression-era orphans. Glenna Lea became a dedicated bookworm for good reason. Books were easier to share than a bicycle.

Reading, no doubt, honed my mother’s writing skills. Upon discovering her 1938 report card, I shrieked.

Evidence echoed an earlier report card, highlighted in 2/25/2019 post. Delighted, I showed Mrs. Mathis’ remarks to DH and shouted a loud aha! At last, I know who gifted this gene!”  

The teacher’s prescience also identified a family’s later tease point. Cough, cough: yes, math challenges were gene-shared, too.

Later, Austin and a new bookstore summoned my grandfather. Glenna Lea moved through school in the capital city, landing at the University of Texas as a theater major.

While attending college, my mother joined a women’s singing trio. She spent her weekends during World War II traveling across central Texas to perform for base-bound soldiers.

Mears Studio hired her to model. In those pre-ballpoint pen days, UT students received these 3.5 x 5 inch “ink blotters” to use while taking class notes. Also, the studio enlarged this pose and plastered it on the side of their downtown building.

As an award-winning actress, Glenna Lea dreamed of a Broadway career. Marriage and children interceded. Post-war expectations ruled women’s lives.

Four children and two decades later, Mexico and deep-sea fishing beckoned.

I doubt Mother caught this thing. Instead, I imagine her reading as she humored my father’s love of all things fishy. If I had laser vision, I’d bet money on finding books in that bag. Yes, plural.

Fast forward 37 years. Glenna Lea asked to join a daughter’s European honeymoon—“but only for the first week.”

The tallest church spire in the United Kingdom lured us to Salisbury Cathedral, outside London. Mother stopped outside to read the outside plaques., Spot the tiny, huddled figure in the lower left here?

And so her pattern began. Every day for seven days, she read every word she could find in, on or about the place du jour. Across England, Bride and Groom gawked and listened as Mother/Mother-in-law read about Salisbury, Stonehenge. Bath. Westminster Abbey. St. Paul’s. Roman Wall. Others sites, too, all now forgotten, lost to middle age.

After my father died in 1994, Mother hit the road. Big trips, somewhere, every year. Santa Fe. Washington, DC. San Francisco. New York City (multiple times). Colorado. Across Texas.

She slowed down when I did, joining me in walks along the Cane Lane at the stroke rehabilitation center.

In this single shot, I see a lifetime of dedication, love, and the full meaning of today.

If my mother could read this post, she’d say—as she always did—“Sweet girl, it’s perfect. And it’s your story to tell.”

I would answer back, “Thank you for your generous spirit. And Happy Mother’s Day, GL.”

What’s Your Woman?

Medial Woman screamed “Me!” in the morning.

Afternoon, I yelled back, “Me, Amazon! Next, Mother!”

I saved my loudest roar for “Hetaira” – there’s something about a woman focusing her life on a man that simply does not ring my chimes. Dare I ‘fess up that I heard my dark side shouting?

A weekend drive to Houston’s Jung Center — past a 4‑car freeway pileup (a high five for what lay ahead?) — brought an in-depth study of these four aspects of the feminine psyche.

Which Archetype(s) are you? (Image copyright Suzan Cotellesse).

The workshop promised this RoadBroad an opportunity to expand her knowledge of female archetypes. My novel demands character exploration. I never anticipated a bonus: riches of personal learning and expansion.

Indulge me as I take an esoteric dive.

Archetypes are, in brief, an imprint all humans carry. In psychological theory, they’re original forms, or models, of people or ideas that others recognize universally.

In “Four Aspects of Woman,” workshop leader Suzan Cotellesse synthesized the groundbreaking work of psychoanalyst Toni Wolff who posited that, across a woman’s life, she dances with four archetypes in both her personal (individual) and non-personal (collective) relationships. (Authors Mary Dian Molton and Lucy Anne Sikes later expanded on Wolff’s work in their book, Four Eternal Women).

Those four natures include Mother, the nurturer; Hetaira, the relater; Amazon, the striver; and Medial Woman, the wise woman. Suzan’s clear and wise teaching explained each of the four functions in detail.

Which fits you now? (Image copyright Suzan Cotellesse).

Immediately, I slotted my novel’s six primary female characters.

Then. Off came the blinders.

My turn. Personal truth.

Easy at first: Medial Woman. Intuitive. Spirit Seeker. Mysterious. Crone (rising because, at age 61, she’s not very old. Cough. Cough.).

Amended at day’s end: I’m actually a growing Amazon followed by a creating Mother supported by evolving Medial Woman with full-on-resistance mode at mention of Hetaira. There’s something about this broad who self-selects as a man-slave. Over-reaction, of course. I’ll explore. Later. 

At workshop’s end, we collaged our learnings. I used a single piece of paper, collaging its two sides.

Amazon roars; Medial Woman meditates (Collage images copyrighted by their respective magazines).

Here’s Afternoon Me. Young again, she strides into the world as an independent Amazonian woman. Her white and black attire symbolize the clarity of her life mission and purpose.

Interesting that Amazon’s stride comes atop Medial Woman’s natural wisdom. The latter’s represented by images of clear water and shining sun, the foundations for a strong feminine force re-entering the world.

To her left—as a guiding mantra—balances the red and black passion of woman and man evenly weighted with each other, moving upward toward a better future. I hope.

On the reverse appeared the supporting forms, Archetypes #2 and #4, if you will:

Mother creates, Hetaira relates (Collage images copyrighted by their respective magazines).

Mother anchors this side with her Gaia representation, stand-ins for the gestating/birthing role of the creative feminine. She stands on what she brings to her role: ‘The Woman who Knows what Women Want.” Apt for an author of women’s fiction?

To her right stands Hetaira, daring any challenge. On anything. Closed-off arms offer aloof confidence. Attractive. Fearsome. Yes, work to do, both of us.

Splitting the page, the four faces of the female archetypes reveal different looks. Each glance, shaded by artfully applied make-up, reveals as it also hides. Can you see why each face was placed as it was?

Two days after the workshop, I look at these pages and ask—my god, where does this stuff come from?

Medial Woman wants to know.

For Amazon Mother.

∞∞∞∞∞

Suzan will offer this informative class again this fall at Houston’s Spectrum Center (www.SpectrumCenter_Houston.com). You can explore Suzan’s other work and teachings at her website (www.suzancotellesse.com).