A Poetry Sandwich for Authorpalooza

The Houston Writers Guild will be hosting our Authorpalooza conference the weekend of October 4–6. 2024 at Rice University’s Student Center. We are excited at the line up that is coalescing for this year’s event. It is one of the best parts of my job as head of the Guild.

Last year, we ended the event by hosting a Renga contest. However, the participants were not familiar with creating Renga and we were all very tired at the end of the main conference day. So we just created a single Renga about our conference together. You can see it posted on the HWG website’s Writer’s Room page (www.houstonwritersguild.org).

Deborah D.E.E.P Mouton is an award-winning writer, director, performer, critic, and the first Black Poet Laureate of Houston, TX. Praised by the NY Times as an artist who “defies categorization”, her genre-bending works span from stage to page, and everything in between.

This year, we will kick off the event on Friday night with the incomparable Deborah D.E.E.P Mouton leading participants in a group poetry activity. Friday night is when the Guild celebrates the book launch of the anthology collection of winning entries from the collaborative short story contest we host in conjunction with Women in the Visual and Literary Arts and produced by Inklings Publishing. There will be readings from the authors in the anthology and some light refreshments. But to start the conference weekend off, D.E.E.P will have those present work to create a poem and perform it. 

If you have never met this amazing poet and talented writer, you are in for a treat! Deborah D.E.E.P Mouton is an award-winning writer, director, performer, critic, and the first Black Poet Laureate of Houston, TX. This amazing lady has written and performed poetry but, beyond that, she has written and produced plays and operas including Marian’s Song with the Houston Grand Opera. She has an upcoming children’s picture book and just released her memoir Black Chameleon which examines Black womanhood through afrofuturistic mythology. She is working on various projects including film and stage adaptations of her work and is a former Resident Artist with the American Lyric Theater, Rice University, and the Houston Museum of African American Culture.

The samurai were expected to be fully well-rounded, excelling in the physical as well as mental and spiritual arenas. Most of the earliest Japanese writings were done by samurai authors.

After kicking off the conference with D.E.E.P, we will close the event on Sunday afternoon with a Renga competition. Yes, I’m not giving up on the idea of bringing this ancient Japanese event to life here in Houston! The Renga has a very simple form of alternating stanzas with 3 lines and 5 lines. The triplet stanzas take the form of Haiku with the 5–7‑5 syllable count and the cinquain stanzas use the form of Tanka with 5–7‑5–7‑7 syllable counts.

Traditionally, Japanese samurai poets would meet and compete to form the best Renga by taking turns each adding a new stanza. The poems content would meander from topic to topic as the poets added their verses spring boarding from one idea of the previous stanza. Sadly, most of these poems are lost since it was a game and no one thought of preserving the work. There are Renga in existence and during the final session of the conference on Sunday I will share more about the history of the art form and lead participants in a competition of our own.

If you want to learn more about this year’s conference event visit the HWG’s website at www.houstonwritersguild.org and consider purchasing your ticket to be a part of this exciting event now during the early bird pricing time.

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